Based on a manga by OHASHI Hiroyuki, "On-Gaku: Our Sound" is a rock’n’roll film about three delinquent high schoolers who suddenly decide to start a band despite having never touched a musical instrument. Created over a period of over seven years by director IWAISAWA Kenji, the film employs many unique techniques, including rotoscoping, in which real footage is traced over. IWAISAWA even organized and filmed a real concert in order to create his climatic scene. These techniques give the film and its characters a vivid, dynamic feel.

根據大橋裕之的漫畫改編，《搖滾吧！中二樂團》是一部搖滾電影，故事講述三個從未接觸過樂器的犯罪高中生，在突然的情況下決定成位一隊樂團。導演岩井澤健治花了七年多的時間創作這部電影，採用了多種獨特技術，包括旋轉鏡 – 將真實的鏡頭描繪在上面。導演甚至組織了一場真正的演唱會以創造他的重點高潮場景，這些技術使這部電影與其人物富有生動及動態的感覺。

A boy exercises with his dog. Animated adaptation of the game My Exercise.

一個男孩和他的狗狗一同鍛練，作品改編自遊戲《我的鍛練》

A day full of socially awkward moments. The film features social awkwardness that people experience in everyday life, with a touch of embarrassment and absurdity. All awkward moments in the film are based on a real life, with added absurd twists.

充滿社交尷尬時刻的一天。作品呈現日常生活中人們的社交窘迫經驗，當中帶有尷尬與荒誕的色彩。而所有在電影裡的窘迫狀態均源自真實生活，只是添加了一點荒誕的轉折。

A man researches an unidentified creature called “Ōnyūdō” which washes up unnoticed on an island in northern Japan. This piece of 3DCG animation is depicted through interview audio and documentary video detailing the man’s activities on the island. The film was created in three weeks using a game engine and repeating an ultra-short iteration cycle. It was an attempt to create a film using a non-traditional animation approach.

一名男子在研究一種名為「Ōnyūdō」的不明生物，物種在日本北部不為意間被沖上岸；這部3維電腦動畫通過訪問的音頻與紀錄片呈現，內部詳細描述了該男子在島上的活動。這部短片是使用遊戲引擎創作，共花了三個星期的時間完成，並重複循環一個超短的迭代周期，這是透過非傳統動畫製作模式而成的創新嘗試。

The main character has a dream in which her friend Emi appears. In the dream, Emi is small and warm. She goes to school, and Emi is there. She has forgotten that today is a pool day, but Emi lends her a swimsuit. It is tight, and makes her feel cramped.

FURUKAWAHARA animates the whole film by hand with black and red pencils for an emphasis on softness. She hopes viewers enjoy the layout, which uses a lot of white space to express an airy feeling. The story is based on FURUKAWAHARA’s memories of puberty. She hopes the film gives viewers that shy, awkward feeling of youth deep in their hearts.

故事主角造了一個夢，夢中她的朋友惠美出現，惠美顯得又小又溫暖。她上學而惠美也在，她忘記了今天是游泳日，於是惠美把泳衣借給她。泳衣很窄，讓她渾身局促。整部動畫全由創作人用黑色與紅色的鉛筆手工繪製，以突顯其溫柔調子。她希望觀者可以享受這佈局，大量留白部份透出作品的空氣感，而故事則源自作者對青春期的回憶，她希望作品可以留給觀眾一種內心深處裡對青春期的害羞與尷尬感。

A short animation created using the art of folding and cutting paper by hand called kirigami. During the last half of production, the director decidedly began to incorporate digital artwork. The sun rises and a fox chases a duck to the water's edge. A reflection of the fox with its mouth wide-open in the duck’s eyes. In that moment, the predator propels the circle of life. From duck to fox, to deer, to wolf, to snake…the figure morphs into a life that has taken a life. The sun sets, announcing the beginning of the daily cycle.

這是一部利用Kirigami手工摺紙及剪紙藝術創作的動畫短片；在製作的後半段，導演果斷地融入了數位藝術創作。太陽升起，一只狐狸追逐著一只鴨子來到水池邊，鴨子眼睛倒影出狐狸張大口的模樣，就在那刻，擸食者推進了生命循環。由鴨子到狐狸、到鹿、到狼、到蛇，這些身影蛻變為一個又一個奪走生命的生命體，然後夕陽四下，宣告了每日的生命循環之始。

Left alone in the deepest of the summer, Malo and Zoe are trying their best to catch their mother’s elusive eye.

在最深的夏天裡，Malo和Zoe被單獨留下，他們正盡全力去吸引母親難以捉摸的目光。

The second full-length film from Studio Colorido, the studio behind "Penguin Highway."

SASAKI Miyo is a cheerful, energetic middle school girl. Her odd actions cause her classmates to dub her "Miss Ultra Gaga and Enigmatic," or “Muge” for short. But in truth, she cares deeply about those around her, and suppresses her own feelings. Muge wants to get closer to her classmate HINODE Kento, but her friendly “surprise attacks” each morning aren’t winning him over. What’s more, Muge has a secret she can’t tell anyone.

這是Penguien Highway背後的 Colorido工作室第二部的長片。

笹木美代是一個開朗又精力充沛的中學女生。因其不擅於察言觀色的言行而經常令周圍的人驚訝，因為被同學稱為「無限大神秘人」，又簡稱「無限」。但事實上她非常在意周圍的人，經常壓抑自己的情感；她一直想親近同學日之出賢人，但她每天早上的突發攻勢並沒有幫她拿下心意之人，再且她心裡還有一件大秘密不能告訴任何人。

Akatsuki Kana's novel is adapted to screen by Kyoto Animation. The animated film delicately portrays a young girl without emotions who, through a proxy letter writing service, comes to understand the true meaning of the words told to her by someone significant. Ishidate Taichi of "Beyond the Boundary" resumes his directorial duties from the television series.

A few years after a war that harmed everyone, the world has regained peace and is going through changes. That is when Violet Evergarden, who has gone through life clinging to feelings she has for someone important, finds a certain letter.

Akatsuki Kana的小說由京都動畫被改編成電影；這部動畫電影微妙了描述了一個沒有情感的年輕女孩，通過代理寫信服務，她開始理解重要人物告訴她的話裡頭真實的意義。《超越界限》的石立太一在電視連續劇裡恢復其導演身份。

一場傷害了所有人的戰爭後數年，世界恢復了和平，正在經歷變化。這時薇爾莉特發現了某封信，她一生都在堅持她對那個人的感情與思念。

A music video for South korean singer Lydia Lee made using found footage and animation.

Faded home movies, educational films and old cartoons are overlaid with colorful animation reminiscent of classic movies, offering a dreamy and nostalgic take on themes like growing up and innocence lost.

為韓國歌手Lydia Lee所製作的動畫音樂錄像。

褪色的家庭錄影帶、教育片以及老舊卡通與經典電影的彩色動畫交疊一起，為成長和失去的純真等主題加添夢幻懷舊的色彩。

With a fast-paced sound and a high-pitched singing voice, this work depicts the recollections and consequences of a girl who says goodbye to her friends and the past, and leaves for space alone. The girl changes from her normal clothes into a spacesuit-like outfit and the animation unfolds one scene after another, with the girl singing into a microphone, riding a surfboard through space, and dancing to the beat. Strange creatures, desolate places, and characters that look like an ancient language highlight a pop-themed yet still quite decadent view of the world. Rather than following a single storyline, the music is prioritized in the work, which increases its appeal and evocativeness.

作品以明快的節奏與高亢的歌聲編織而成，描繪一個女孩告別朋友與過去而獨自前往太空的回憶與後果。女孩把日常服換成宇航服，動畫展開一個又一個場景，女孩對著米高風唱歌，騎著沖浪板穿越太空，跟隨節拍起舞。奇怪的生物、荒涼的地方，以及看起來像說著古代語言的人物，鋪出一個以流行普普為題但及然頹廢的世界觀。作品中沒有遵從單中的故事情節發展，而是把音樂放在首位，增加了它的吸引力與召喚力。

With a fast-paced sound and a high-pitched singing voice, this work depicts the recollections and consequences of a girl who says goodbye to her friends and the past, and leaves for space alone. The girl changes from her normal clothes into a spacesuit-like outfit and the animation unfolds one scene after another, with the girl singing into a microphone, riding a surfboard through space, and dancing to the beat. Strange creatures, desolate places, and characters that look like an ancient language highlight a pop-themed yet still quite decadent view of the world. Rather than following a single storyline, the music is prioritized in the work, which increases its appeal and evocativeness.

作品以明快的節奏與高亢的歌聲編織而成，描繪一個女孩告別朋友與過去而獨自前往太空的回憶與後果。女孩把日常服換成宇航服，動畫展開一個又一個場景，女孩對著米高風唱歌，騎著沖浪板穿越太空，跟隨節拍起舞。奇怪的生物、荒涼的地方，以及看起來像說著古代語言的人物，鋪出一個以流行普普為題但及然頹廢的世界觀。作品中沒有遵從單中的故事情節發展，而是把音樂放在首位，增加了它的吸引力與召喚力。

First year high schooler ASAKUSA Midori loves anime so much, she insists that “concept is everything” in animation. Though she draws a variety of ideas in her sketchbook, she hasn’t taken the first step to creating anime, insisting that she can’t do it alone. The producer-type KANAMORI Sayaka is the first to notice ASAKUSA’s genius. Then, when it becomes clear that their classmate, charismatic fashion model MIZUSAKI Tsubame, really wants to be an animator, they create an animation club to realize the “ultimate world” that exists in their minds.

高中一年級生ASAKUSA Midori極愛動漫，她堅持動畫中「概念就是一切」。雖然她在自己的速寫本裡面畫下許多想法，但從未真正踏出製作動漫的第一步，她一直覺得自己無法獨自完成這件事。富有製作人天份的KANAMORI Sayaka是第一個注意到ASAKUSA天份的人，然後她們的一位想要成為動畫師的同學 – 漂亮又魅力四射的模特兒MIZUSAKI Tsebame加入，她們就成立了動畫俱樂部，一同向腦海中夢想的終極世界出發。