A primitive intelligence interacting with a human.
This artwork is lead as an experience, creating an artistic interface between data and human motion. The actor interacts, face to face, with a robot that is animated by a form of primitive intelligence based on a neuronal system, an artificial life system programmed by Ikegami Lab (Tokyo University). The AI embodies a different way of understanding things, non-anthropomorphic, essentially by making decisions.
This work focuses on the unstructured communication between the two entities. They interact through signals, body and spoken language with their different intelligences. Using a deep learning system, the robot can learn from his experience with Mirai Moriyama, a Japanese actor/dancer. The humanoid incarnation of the AI had been created by Ishiguro Lab (Osaka University). Its minimal appearance enables emotional projection and opens a space for imagination.
Existence presumes being in reality and/or being alive. Through experience, the human and the robot try to define new perspectives of coexistence in the world.
With Mirai Moriyama & Alter- developed by Ishiguro lab, Osaka University and Ikegami Lab, Tokyo University.
這是一種與人類的初始智能互動。
這件作品呈現的是一種藝術體驗，遊走在數據與人類動作的介面之間。演員與機器人進行面對面互動，機器人是由一種基於神經系統所編程的原始智能機械，由大阪大學的池上實驗室硏發編程的人工生命系統。人工智能機器人體現不同的認知、非擬人物種，具決斷能力。
作品側重於人與機器人之間的非結構化溝通；他們經由自身不同的智慧去收放訊息、肢體、言語與對方互動。透過深度學習系統，機器人會學習森山未來 (即日藉舞者/演員)。機器人的身體是由大阪大學的石黑實驗室所製作，其簡約外觀誘動情感投射，籍此開闢想像空間。
存在正是假定處於現實以及/又或是活著；透過這項經驗，人與機器試圖定義共存於世的新角度。
作品獲森山未來及Alter參與，並由大阪大學石黒研究室及東京大學池上實驗室研發。
biography
Justine Emard is a visual artist. She lives and works in Paris.
Her artworks explore the new relationships that are being established between our existences and technologies. By combining different image medias – from photography to video and virtual reality – she situates her work at the intersection between neurosciences, objects, organic life and artificial intelligence. In 2017, she is a winner of the residence Hors-les-murs by the Institut Français for a project in Tokyo.
Abu Hamdan has exhibited his work at the 58th Her work had been exhibited at the Moscow Biennale of contemporary art and in museums like the NRW Forum (Dusseldorf), the National Museum of Singapore, the Moscow Museum of Modern Art, the institute Itaú Cultural (São Paulo), the Cinémathèque Québécoise (Montréal), the Mori Art Museum (Tokyo), the MOT Museum of Contemporary Art Tokyo, the Irish Museum of Modern Art (Dublin), the Barbican Centre (London) and the World Museum (Liverpool).
In 2020, she is in residence at the ZKM, Centre for Art and Media Karlsruhe, and she is a winner of the national photographic commission «IMAGE 3.0» by the CNAP (National Centre for Visual Arts) and the Jeu de Paume in Paris.
Abu Hamdan has exhibited his work at the 58th Her work had been exhibited at the Moscow Biennale of contemporary art and in museums like the NRW Forum (Dusseldorf), the National Museum of Singapore, the Moscow Museum of Modern Art, the institute Itaú Cultural (São Paulo), the Cinémathèque Québécoise (Montréal), the Mori Art Museum (Tokyo), the MOT Museum of Contemporary Art Tokyo, the Irish Museum of Modern Art (Dublin), the Barbican Centre (London) and the World Museum (Liverpool).
https://justineemard.com/
賈斯丁‧伊瑪爾是一位視覺藝術家，現工作生活於法國巴黎。
她的作品擅長探討人們的存在與科技之間的新種關係；透過結合不同的影像媒體，包括攝影、錄像以至虛擬實景，她的作品介遊走於神經科學、物體、有機生命與人工智能之間。2017年她在東京獲得法國學院的藝術家項目Hors-les-murs 駐場機會。
她的作品曾於莫斯科當代藝術雙年展以及多個國際藝術館包括杜塞爾多夫NRW Forum、新加坡國家博物館、莫斯科現代藝術博物館、聖保羅的伊陶文化學院、加拿大蒙特利爾的魁北克電影學院、東京的森美術館、東京現代藝術博物館、都栢林的愛爾蘭現代藝術博物館、倫敦的巴比肯中心和利物浦的世博中展出。
2020年，她於德國卡爾斯魯厄藝術與媒體中心ZKM作藝術家駐留，並獲得由CNAP (國家視覺藝術中心)與法國Jeu de Paume博物館所頒發的國家攝影《影像3.0》委託。
https://justineemard.com/
