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Afterimage - Mind Frame II (2006-Present)
後像 – 殘留意境II (自2006起)
Jaewook SHIN
辛宰旭
KOREA 韓國
Artist's Biography 藝術家簡介 >
Artist Statement 藝術家陳述 >
Technical Statement 技術陳述 >
後像 – 殘留意境II (自2006起)
Jaewook SHIN
辛宰旭
KOREA 韓國
Artist's Biography 藝術家簡介 >
Artist Statement 藝術家陳述 >
Technical Statement 技術陳述 >
Technical Statement
Due to the physical prerequisite of Afterimage, the ideal viewing environment should have light controller and spare enough space for a suitable proximity between the project itself and audience.
Depending on which original image showing, the related moving images need to be displayed for approximately 6 to 12 seconds with a 2 to 4 second blank break afterwards. This sequence repeats continuously until the audience experiences the full afterimage. Each individual is born with a distinct focusing and concentration levels. Such physical and physiological difference makes every single viewer requires different amounts of time to experience the full afterimage.
Due to the physical prerequisite of Afterimage, the ideal viewing environment should have light controller and spare enough space for a suitable proximity between the project itself and audience.
Depending on which original image showing, the related moving images need to be displayed for approximately 6 to 12 seconds with a 2 to 4 second blank break afterwards. This sequence repeats continuously until the audience experiences the full afterimage. Each individual is born with a distinct focusing and concentration levels. Such physical and physiological difference makes every single viewer requires different amounts of time to experience the full afterimage.
技術陳述
因為環境是後像的先決條件,觀看此作品最理想的環境要備有燈光控制器,及在作品與觀眾之間留有足夠的觀賞距離。
根據不同的原圖,相關對應的移動影像需要六至十二秒的顯影,並尾隨一個二至四秒的空白斷層方能產生後像之效。這顯示次序會不斷重覆直至觀眾完全體驗到整個後像作品。因為每個人天生的視覺聚焦和集中力有所不同,每個觀眾需要不同時間來充分體驗完整的後像。
因為環境是後像的先決條件,觀看此作品最理想的環境要備有燈光控制器,及在作品與觀眾之間留有足夠的觀賞距離。
根據不同的原圖,相關對應的移動影像需要六至十二秒的顯影,並尾隨一個二至四秒的空白斷層方能產生後像之效。這顯示次序會不斷重覆直至觀眾完全體驗到整個後像作品。因為每個人天生的視覺聚焦和集中力有所不同,每個觀眾需要不同時間來充分體驗完整的後像。