ADA
[2011]
Karina Smigla-Bobinski [Germany]
卡琳娜．斯米格拉．寶賓斯基[德國]
Sponsored by Hochhinaus
Luftwerbegesellschaft mbH
(www.hochhinaus.de)
(logo of hochhinaus)
Artist's Biography
Karina Smigla-Bobinski is a true interdisciplinary artist. Working with interactive, kinetic, physical and sculptural media alongside oil painting and digital display, she has enjoyed considerable success in 40 countries across five continents with work.
藝術家簡介
卡琳娜是一名真正的跨界別藝術家。她的作品媒介包括互動設計、動力裝置 、實體及雕塑，以至繪畫及數位展示。其作品曾於五大洲、四十個國家展出。
Artist statement
Interactivity in art stands out as a way to connect with the audience. The best part of interaction is when you can use your body, which then turns you into an analog part of the (post-digital) art piece.
It is very important for me that the entrance into the practical experience of art is possible for everyone and that visitors may decide how far they dip into the art experience according to their ability or will. I dig the hole to Wonderland ... but jumping into it? This, you need to do by yourself.
"ADA" a self-forming artwork, visitors animated under destruction sculpture, a post-industrial „creature“, resembling a molecular hybrid from nano biotechnology. Filled up with helium, floating freely in room, membranelike globe, spiked with charcoals that leave marks on the walls, ceilings and floors.
藝術家自述
互動性在藝術形式中的特點，源於其可與觀眾連接的本質；互動裡最有趣的部分，是運用身體，成為（後數位）作品中的一部分。令觀眾在藝術中得到實踐經驗，於我來說非常重要，觀眾根據自己的能力及意願去決定自己的參與程度。我為通往仙境掏了一個洞……跳不跳下去？你還是自己來吧。
ADA是一件自我完形的藝術作品，一件後工業的「生物」。觀者透過破壞雕塑去「繪畫」，透過納米生物科技而重組的分子混種。薄膜球體充滿了氦氣，加有一根根木炭在表層上，於房間內自由浮動，並於牆壁、天花板及地板上留下痕跡。