Mileece was born in 1978, London. Mileece’s early involvement in sound continued with childhood violin lessons and Casio compositions to improvised piano, hosting a jazz radio show and DJ’ing at clubs by her teens. Her peripatetic life that took her from rural French farms to crystal gardens in LA, prompted her awareness to the many forms of man’s impact on the natural world. Using Super Collider, Mileece released a series of compositions inspired by cycles and formations in nature as her critically acclaimed debut album “Formations”. Shortly thereafter, she toured with bands Múm, Mice Parade and HIM, playing live generative compositions via her custom made interactive instruments.

1978年生於倫敦，延續孩童時期的小提琴學習，青年時已參與聲音創作，在電台主持爵士音樂節目和在俱樂部打碟等。生命將她由法國逍遙的農村帶到繁華的洛杉磯，讓她體會到人類對大自然的影響，從超級粒子碰撞機的靈感，令她編寫了以自然循環、形成為主題的音樂作品，出版大碟「Formations」大受歡迎。之後，她以自己設計的互動樂器演奏衍生音樂，與Múm、Mice、Parade和HIM一眾樂隊巡迴演出。

An overview from algorithms to interfaces, installations to instruments. Then we will consider what I call ‘aesthetic sonification’, the balancing of information and aesthetics in sound. I will present a brief overview of my software and present some sound works.

講述從演算到介面、裝置到樂器的概況，接着討論「美的音聲化」：怎樣平衡資訊與聲音的美學，講者將會討論她的軟件和聲音作品。